12 January 2011

BETRAYED - SUBSTANCE




I just finished watching the trailer for the book-to-film documentary American Hardcore and it got me thinking. Anyone that claims to be a fan of hardcore/punk is bound by an unwritten law to have read that book, as well as Get in the Van. Many - mostly the older blokes - feel that those times documented in those books were the heydays of hardcore and that they are long gone. In some ways they are correct. Hardcore is no longer the subterranean word-of-mouth genre it was during its early years. It has been polluted and commercialized; it has been wrapped up in a pretty package and is being sold at Wal-Mart for $6.99. But if you look deep inside the present-day representation of hardcore, there are still a fair number of bands and record labels continuing to spread the music, message, and ideals that bands like Black Flag, Minor Threat, Minutemen, D.O.A., and Negative Approach laid the groundwork for over twenty-five years ago. Betrayed is one of those bands.

Betrayed burst onto the scene last year with their debut EP, Addiction. The six-song EP was brimming with pure and heartfelt hardcore and boy did the kids love it. Then, earlier this year, Betrayed delivered three new songs on the flipside of a split with Champion and again the kids went crazy. Substance is the band’s debut full-length. And to nobody’s surprise, it is already being heralded as one of the best albums of 2006.

Right out of the gate, “Think Twice” smacks you in the face with fast-paced hardcore/punk. And while this element is a prime component to Betrayed’s music, there is still that melodic undertone to it. This stylistic variation is found throughout the entire album, something that helps to distinguish the band from the countless others vying for the ears of listeners. The most distinguishing aspect of Betrayed’s music is the guitar work of Todd Jones. Jones previously had a hand in bands like Carry On and Terror, so its no surprise to hear some slick riffs here. Most of the riffs move at breakneck speeds, but at times he does slow things down.  He even throws in a few solos - “Consequence” and “Work for it.”

Betrayed continue to separate themselves from the rest of their hardcore brethren as Substance unfolds. “The City Lights” and “Bring it to Life” trend towards post-hardcore with the combination of slowed down guitars and more reserved drumming. I found myself frequently referencing Quicksand while listening to these songs. Songs like these really drive home that Betrayed is at the top of the game when it comes to hardcore.

For me the highlight of Substance comes on the track “Understand.” There is a break towards the middle of the song that enters into an amazing sequence of building instrumentation partnered with an opportunity to sing-along with incredibly honest lyrics. I shout along as the goose bumps appear on my arms: “Still growing up! Still fucking up! Still lost and desperate for answers!”

Aram Arslanian is quite the capable frontman. His style is the yelled shout that we here quite a bit. I did notice that at times he would make adjustments to the way he screamed and it vaguely reminded me of Snapcase’s Daryl Taberski. On a lyrical level, Arslanian is top notch. He doesn’t rely on cliché sayings, nor does he rely on vulgarities. He covers topics that concern the everyday man - not just the everyday hardcore kid. His lyrics are direct, honest, and most of all, inspiring.

If you’re sick of being bombarded with countless sound-alikes, then Substance is an album that you cannot do without any longer. Betrayed have amassed one of the best hardcore albums in recent years, so there is no reason why you should not own this.

EARTH CRISIS - BREED THE KILLERS



Similar to their previous releases, heavy metal environmentalists Earth Crisis combine brutal music with thought-provoking lyrics on Breed the Killer. The only problem is, without the aid of a lyric sheet, you have to take their word for it, since the vocals are a combination of unintelligible barks and growls. Their musical approach can be compared to such other politically oriented bands as Rage Against the Machine and Sepultura, but Earth Crisis' compositions contain more prominent elements of hardcore than the aforementioned outfits. For example, &"Ultramilitance" is an anthem for eco-terrorists, inspired by those who put an end to whaling ships and fur factories. Heavy riffs and drumming can be found throughout the entire album -- the opening &"End Begins," &"Drug Related Homicide," &"Filthy Hands to Famished Mouths," and the title track are all prime examples. It may sound a bit monotonous to the uninitiated, but longtime fans will surely be pleased.

11 January 2011

V/A OUT OF STEP - A MINOR THREAT TRIBUTE




1. Kid Dynamite - I Don't Wanna Hear It (1:13)
2. Kill Your Idols - Small Man Big Mouth (0:56)
3. Slayer - Guilty Of Being White (1:06)
4. Ratos De Porão - In My Eyes (2:54)
5. Mighty Mighty Bostones - Think Again (1:58 )
6. Burning Heads - Betray (3:04)
7. Pulley - Stumped (2:01)
8. Shanty Rd. - Stand Up (2:51)
9. The Ripers - No Reason (2:15)
10. H2O - Salad Days (2:39)
11. Sowplot - Cashing In (1:48 )
12. Crestfallen - Minor Threat (1:32)
13. NOFX - Straight Edge (2:13)
14. Xmilk - Out Of Step (1:22)
15. Thrashington Dc - Bottled Violence (1:06)
16. Lawstreet 16 - Screaming At A Wall (1:56)
17. Manifesto - Seeing Red (1:00)
18. The Robocop Kraus - Filler (1:37)
19. Negu Gorriak - Small Man Big Mouth (1:39)
20. Afraid To Speak In Public - In My Eyes (3:47)
21. Fromheadtotoe - Think Again (2:33)
22. Springfell - Straight Edge (2:54)
23. Sick Of It All - Betray (2:41)
24. Bones Brigade - No Reason (1:53)
25. Prisma D'hours - Little Friend (2:58 )
26. Somerset - Think Again (3:52)
27. Corn Flakes - Salad Days (2:30)
28. 88 Fingers Louie - I Don't Wanna Hear It (1:14)
29. The Tangled Lines - Minor Threat (1:48 )
30. Keep On Fighting - Out Of Step (0:51)
31. Allegiance - Bottled Violence (0:53)
32. Disagio - In My Eyes (2:36)

JUSTICE - ELEPHANT SKIN




Justice came out of nowhere to firmly make their stamp as one of the leading lights in modern day hardcore.The demo was a sensation and quickly led to the ‘Look Alive’ EP. Tours, tours and more tours across Europe and America followed mainly with their good friends in Mental. They then set out to write the LP.

Justice created an album that oozes energy and passion, one that sounds raw and authentic at the same time and above all, it is an album that has enough variety, hooks and solid songwriting to keep you hooked for a long, long time. From the Supertouch/Underdog influenced opening track 'Elephant Skin' to the raging fury of 'Confrontations', and from the ultra catchy singalong inducing 'Lose Control' (Warzone anyone?) all the way to the anthemic 'Activate' that sounds like it's a long lost track from the 'We're Not In This Alone' sessions, this album owns it all!

GOOD CLEAN FUN - SHOPPING FOR A CREW



TRACK LIST


1 Shopping for a Crew
2 Positively Positive
3 Good Clean Fun
4 My Best Friends
5 Who Shares Wins
6 Coll-Edge
7 A Song for the Ladies
8 Hang Up And Drive
9 Sweet Tooth
10 The Vegan Revolution Draft Dodger Anthem
11 Bully (7 Seconds Cover)

10 January 2011

ALLEGIANCE - DESPERATION



Do you ever buy the new album from a band you like and after a couple listens you just think, “This is about what I expected”? Most of the time this means the album is good; just more songs of the sound you’ve become accustomed to. This happened to me when I got Champion’s full-length. I liked it, but it didn’t really give me anything different from what I had known of them in the past.

Before I dig myself into a hole here, let me clarify that this is absolutely NOT the case for Allegiance’s second full-length, Desperation. I’ve always liked Allegiance; don’t get me wrong on that, but my anticipation level for this album was somewhat low. I knew the songs would be solid and full of the hardcore niche Allegiance has made for themselves, but I was not expecting something of this magnitude.

Desperation opens with the hard-hitting “Another Wave,” and right away you can tell you’re in for a treat. A single guitar becomes overpowered by a thick bass line, and as all the instruments come in you can feel what I can only describe as raw power. Everything sounds heavier on this record, not just with the recording quality but the riffs don’t have that melodic edge that I remember Allegiance having in the past. That edge is replaced by a Cro-Mags slash Anthrax slash old No Warning sound that really owns the record. Don’t worry, you still have the Allegiance sound you love (see “Out of My Blood” and “Just Martyr Me”), but even on those songs you get these original, off-beat parts added in that make every song feel new.

If this isn’t enough for you, the lyrics and vocals have to win you over. I’ve heard people be a little questionable on John Eightclip’s high-pitched voice, but he really pulls it off impeccably on this record. His vocals have a slight distortion that gives it an edge unlike anything I’ve heard recently. And he brings his voice down into some slow growls that add to the skyrocketing anger of the lyrics on this record. Every song is pissed to the point of simply feeling bleak and unsatisfied with so many things, most importantly the hardcore scene. I can just picture a bunch of fifteen-year-olds singing along to the chant, “Fuck you kid, you don’t see what I see.” The lyrics are beyond what most hardcore kids could understand, like in “Summer Relief,” where he reminisces about the better, earlier times of hardcore.

This is looking to be my favorite hardcore record of 2007. This was nothing that I was expecting, and it pretty much blew me away. It’s raw, angry, and heavy; everything a solid hardcore record should be. Desperation is coming from the guys who have been in hardcore for ten plus years and still love it as much as they did when they were in high school. Although filled with loathing for some of the hardcore scene nowadays and nostalgia for better times lost, they can’t let go of the music they’ve given so much to. This is the album that Allegiance was meant to write.

DOWN TO NOTHING - THE MOST




Despite the surprise excitement of live Minor Threat covers, Down to Nothing had never particularly impressed me, the barrage of pointless mosh/two-step parts likely being the main culprit. With their proper Revelation debut, The Most, there's a good chance there'll be more than one person claiming fan conversion, as the band outfit their modern hardcore stylings with a more melodic, slightly less burly setup with the occasional nod to late `80s hardcore touchstones. Despite DTN managing to overall retain their identity, it's still an alternate approach for the band that better calls to mind Bane channeling Turning Point, not unlike the band's newer, more heartfelt peers in Have Heart and Sinking Ships (hardly a shock sonically at least, considering the last full-length efforts from HH and DTN were recorded by Jim Siegel).

The 23-minute blast offers a number of engaging moments and surprisingly creative points. Opener "Along for the Ride" packs a little musical muscle without coming off overbearing, while gang vocals and wonderfully crafted stop-starts in the middle of "My Disguise" punctuate the song perfectly. "Serve and Neglect" is one of The Most's best, with some of the band's trademark, playful `80s skate riffs and quirky line delivery from vocalist David Wood. But "Well Deserved" might be the best, chock full of instrument change-ups and a variety of tempos, and Wood sounding particularly condemning when he spits "you fit the part, you think you got some image / and you expect everyone just to give in / no one's buying." "Up River" is "Well Deserved"'s main competitor, as it's unusually emotional for the act, sincerely warning against the evils of addiction and abuse as evidenced by the downfall of friends, with the band even throwing in a nostalgic "smash it!"

Sure, you've got your breakdowns and dance cues, but unlike past efforts they're never overextended and used considerably sparsely in comparison. Through this careful, more economical employment, they're entirely more effective (see: the end of "Serve and Neglect") and make their mark hard.

DTN tend to lay on the cheese a bit with their thoughts and offerings on their straight-edge bearings and hardcore lifestyle ("fight the pain, don't give in / be stronger, fight it, overcome it" / "never learned from your past mistakes / no sympathy when you fucking wake"), but it's usually pretty tolerable, if not even well-written sometimes.

At least in this reviewer's opinion, Down to Nothing has produced their finest effort to date with The Most. Revelation Records continues to parade out the standout releases in today's hardcore scene, and Down to Nothing's revelatory progress is no exception.

ENSIGN - THE PRICE OF PROGRESSION




In my personal opinion, New Jersey's Ensign might very well be one of the top acts in hardcore music today. From the amazing lyrics, searing gutars, heavy bass, thunderous drums, and the awesome voice of Tim Shaw it's hard for me to think of another hardcore band that I would rather listen to.
With "The Price of Progression" Ensign adds a slight bit of melody to thier formula, but the changes aren't very drastic. They still manage to crank out 17 ripping tracks in under 40 minutes. "The Spark" opens up the album in a furious fashion and then leads into one of my favorites on the cd, "Black Clouds vs. Silver Linings".
There are two really great guest vocal apperances on this album as well. Russ from Good Riddance sings on the track "Foot in Mouth as an Artform" while Andy from Kill Your Idols joins in on the fun during "Stay Warm".
The beginning of my personal favorite on this album, "The May Conspiracy", sounds like it would be straight out of a horror movie. Loud, thumping bass followed up by a screeching guitar riff, when I hear it for some reason I think of being chased through the forest by a masked murderer, I don't know maybe I'm just odd.
Anyways enough rambling, if you've never heard Ensign before, and you're a fan of hardcore music I definitely recommend this to you. You might want to pick up some of their older stuff on Indecision Records as well, because everything this band has released has been truly awesome.